"Becoming Victoria"

I am honoured and excited to have been invited by the Llandrindod Wells Victorian Festival committee to appear as a young Queen Victoria at this year's festival from 22nd-28th August 2016. In preparation for this role I will be designing and making the costumes for the young queen over the coming months. These will be authentic reproductions of the fashions of the early years of Victoria's reign and will include a range of 1840s women's garments from corsets and petticoats to day dresses, ball gowns and bonnets. This blog will document and share my progress as I research, design and stitch each element to reveal the secrets of "Becoming Victoria".

Tuesday, 30 August 2016

So tired!!!

Minus 2 days to go!! I can't believe the week flew by so quickly but I am glad to finally be able to sit down and take a break. I had an absolutely fabulous week but it was such a whirlwind. Apologies to any readers that have been waiting for photographs but I never had time to log on to the computer, never mind upload any pictures. However, I have finally downloaded the pictures from the camera and have also been sent some excellent images from photographers who were visiting the festival.

These are just a few shots that were very kindly shared with me by Neil Tudor. I will post more of the pictures of different events later on, once I have had a chance to sort through them. Many thanks to Neil for these beautiful shots which he so kindly sent to me today.

Photography by Neil Tudor
Photography by Neil Tudor
Photography by Neil Tudor

Sunday, 21 August 2016

Looking forward to tomorrow

Only a few more hours to go....

The Llandrindod Wells Victorian Festival starts tomorrow and I am looking forward to being able to wear my finished costumes.  I will be appearing as the young Queen Victoria from 12 noon tomorrow and look forward to meeting anyone who has been following the blog that will be attending the festival. For those of you not attending, I will share pictures from the various events here throughout the week. Fingers crossed for good weather!

Photograph by Rob S Reynolds - from the Llandrindod Wells Victorian Festival Website

Tuesday, 16 August 2016

A bonnet fit for a Queen

6 days to go and I think, fingers crossed, that Victoria's wardrobe is more or less finished.There are one or two little finishing jobs to see to, but all of the main garments are now complete.

The last item to be finished was a bonnet for wearing to day time events.

Bonnets were an essential part of 19th century women's dress. They dominated millinery fashions throughout the first half of the century and were often regarded as emblematic of the ideals of Victorian womanhood: respectability, virtue, delicacy, authenticity and domesticity.* A woman could not leave the house with her head uncovered and bonnets were the most fashionable and most conventional choice of headwear.

Although the Queen would have worn a crown or tiara for state occasions and evening events, during the day she too wore bonnets. Unfortunately, there are very few early portraits of the Queen in everyday dress as most paintings depicted her in her robes of state, her wedding dress, or regalia. However, this 1856 portrait by Charles Lucien-Louis Muller depicts the Queen in a simple red day gown and white bonnet with ostrich feathers.

Queen Victoria, 1856, Charles Lucien Louis Muller (image found here)
There are also a number of the Queen's bonnets in the Royal Collections at the Museum of London, including a straw bonnet decorated with deep red ribbons.

"These are the only known examples of Queen Victoria's bonnets from before 1861" -  Bonnets, 1845-1855 , Museum of London (Mol.66.79/16,17,18)

Taking inspiration from the colour combinations in the portrait and extant bonnets, I chose a deep red silk twill that complements the red and gold silk gown for my bonnet with white lace and ostrich feather trimmings. The bonnet has the typical form of 1840s bonnets: a close fitting round brim framing the face and an almost horizontal line from the round crown to the brim, tied close under the chin. In the early 1840s, the brim extended forwards, hiding the wearer's profile, but towards the decade began to slip back to reveal more of the the hair and cheek.

The interior of the bonnet is trimmed with a lace ruffle that nestles around the face when worn. This will complete Victoria's outfits for daytime wear when out and about in town.

* References
Joanne Sullivan, "Bonnet Ribbons: A study of the use and representation of silk ribbons as ties on fashionable bonnets, 1830-1899", (Masters Dissertation, University of Glasgow, 2015)
Joan Nunn, Fashion in Costume 1200-1980, (London: The Herbert Press, 1984), 124.
Susan Hiner, Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France, (Philadelphia and Oxford: University of Pennsylvania Press, 2010), 3.

Monday, 8 August 2016

I can't believe it's only two weeks to go!

14 days to go!!!

It's amazing how time seems to move faster the closer you get to a deadline. I have been hard at work on Victoria's costumes over the last week and unfortunately have let the posts slip a little bit.

Since my last post, we have been in the news....

A brief interview with the Brecon and Radnor express was published last week and can be viewed here. The picture is of me posing with Victoria's completed ballgown. Believe it or not, despite the apparent size difference in the photograph, the dress does actually fit on me!

I have also been working on my demonstration for the festival. This will take place at 3:15pm on Wednesday 24th August at the Hotel Commodore. For anyone attending the festival, this will be a chance to come along and see the costumes in person. I will be demonstrating every layer of an 1840s lady's toilette, from the chemise and bloomers right through to the shoes and bonnets and there will be plenty of opportunities to ask questions and see the costumes up close.

For this purpose, I have spent the last week stitching a chemise to be worn underneath the corset with a neckline that mirrors those of the dresses so that it won't stick out like my other chemises have done on the dress form. This chemise was loosely modelled on an original chemise in the Met Museum and altered to match the dress patterns that I will be wearing in shape.

The original chemise - MET 1978.251.2 1840-59 Linen chemise
I have also made a chemisette, based on an original pattern, which if like a false blouse or "dicky" that fills in the neckline of the dresses for daytime wear.

Example of an 1850s chemisette - MET_1978.314.6_1850s chemisette
Like this chemisette, mine is made of muslin and ties around the waist underneath the dress. Instead of embroidery I have added a lace collar.

Finally, I have been experimenting with dressing Victoria's wig but I will save the results to share in another post. Back to the stitching just now as I have a silk bonnet to finish for Victoria to wear when out and about in town during the festival week.